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The diverse venues and audiences speak to Adly’s ability to welcome listeners into his instrument’s complex world and reveal fresh sides of ancient music. His foundation: the varied musical approaches to the oud that sprang from different regions in the Middle East. “To really know the oud, you need to know its different styles. The Egyptian style is much slower, more dedicated to improvisation, to freer rhythms and more contemplative feelings,” Adly notes. “There specific maqams and microtones that are only used in Egypt. The Iraqi style is more dynamic, faster paced. There’s a lot more showmanship. It has a completely different feeling to it.”
